π¬
Director's Cut
AI shot generator with auto-review
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History
π¬ Director's notes
Scene description
*
Must include
Must avoid
π₯ Camera
Shot size
β
Auto
Extreme wide shot (EWS)
Wide / long shot
Full shot
Medium long shot (cowboy)
Medium shot
Medium close-up
Close-up
Extreme close-up
Insert / detail shot
Establishing shot
Camera angle
β
Auto
Eye level
High angle
Low angle
Bird's-eye / overhead
Worm's-eye
Dutch / canted tilt
Over-the-shoulder (OTS)
Point-of-view (POV)
Aerial / drone
Hip level
Knee level
Ground level
Lens / focal length
Auto
14mm ultra-wide
24mm wide
35mm
50mm normal
85mm portrait
135mm
200mm+ telephoto
Macro
Fisheye
Anamorphic
Tilt-shift
Depth of field
β
Auto
Deep focus
Shallow depth of field (bokeh background)
Rack-focus look
Split diopter
Movement feel
Auto
Static / locked-off
Handheld
Steadicam
Dolly-in
Tracking shot
Crane shot
Whip-pan blur
Motion blur
π‘ Lighting
Lighting style
β
Auto
High-key
Low-key
Chiaroscuro
Rembrandt
Butterfly / Paramount
Split lighting
Loop lighting
Broad lighting
Short lighting
Rim / back light
Silhouette
Practical lighting
Motivated lighting
Soft diffused light
Hard light
Top light
Under light (horror)
Neon / mixed colour light
Time of day
β
Auto
Golden hour
Blue hour
Midday sun
Overcast
Magic hour
Night (moonlight)
Night (urban street lights)
Sunrise
Dusk
Interior tungsten
Light direction
Auto
Front light
Side light (90Β°)
3/4 light
Back light
Top light
Bottom light
Contrast ratio
Auto
Low contrast (2:1)
Medium contrast (4:1)
High contrast (8:1+)
Atmosphere
β
Auto
Haze
Fog
Volumetric god rays
Rain
Snow
Dust particles
Smoke
Lens flare
π¨ Colour & look
Colour grading
β
Auto
Teal & orange
Bleach bypass
Desaturated
Monochrome / black & white
Warm vintage
Cool / cold blue
Cross-processed
Pastel
High saturation
Sepia
Technicolor
Film stock / format
Auto
35mm film
16mm grainy film
Super 8
70mm IMAX
Kodak Portra 400
Kodak Vision3 500T
Fuji Velvia
Ilford HP5 (B&W)
Digital (ARRI Alexa)
Digital (RED)
VHS
Colour palette
Auto
Complementary
Analogous
Monochromatic
Triadic
Earth tones
Neon
π§ Composition
Framing rule
β
Auto
Rule of thirds
Centered / symmetrical
Leading lines
Frame within frame
Negative space
Golden ratio
Diagonal composition
Tight headroom
Loose headroom
π Mood & style
Genre
Auto
Film noir
Sci-fi
Horror
Romance
Western
Thriller
Fantasy
Documentary
Drama
Cyberpunk
Period piece
Mood
β
Auto
Tense
Melancholic
Dreamy
Epic
Intimate
Eerie
Joyful
Gritty
Serene
Director / DP reference
Auto
Stanley Kubrick
Wes Anderson
Christopher Nolan
Denis Villeneuve / Roger Deakins
Wong Kar-wai
Ridley Scott
Quentin Tarantino
David Fincher
Steven Spielberg
Era / production design
β
Auto
1920s
1950s
1970s
1980s
Modern day
Futuristic
Medieval
π Aspect ratio
1:1
4:3
3:2
16:9
1.85:1
2.39:1
9:16